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Keeping Quiet by Pablo NerudaShare

Posted on 23 April 2009 by jnu

Now we will count to twelve
and we will all keep still.

This one time upon the earth,
let’s not speak any language,
let’s stop for one second,
and not move our arms so much.

It would be a delicious moment,
without hurry, without locomotives,
all of us would be together
in a sudden uneasiness.

The fishermen in the cold sea
would do no harm to the whales
and the peasant gathering salt
would look at his torn hands.

Those who prepare green wars,
wars of gas, wars of fire,
victories without survivors,
would put on clean clothing
and would walk alongside their brothers
in the shade, without doing a thing.

What I want shouldn’t be confused
with final inactivity:
life alone is what matters,
I want nothing to do with death.

If we weren’t unanimous
about keeping our lives so much in motion,

if we could do nothing for once,
perhaps a great silence would
interrupt this sadness,
this never understanding ourselves
and threatening ourselves with death,
perhaps the earth is teaching us
when everything seems to be dead
and then everything is alive.

Now I will count to twelve
and you keep quiet and I’ll go.

-from Full Woman, Fleshly Apple, Hot Moon
Translated by Stephen Mitchell

Thank you NYAZE!via Facebook

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An Important Message from the Global Entertainment Industry

Posted on 24 February 2009 by jnu

Pirate Bay cartoon

Courtesy of  The Pirate Bay

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Dear History by Saul Williams

Posted on 03 November 2008 by jnu


Click here for more videos from Vote For Change

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Steinski – What Does It All Mean? 1983-2006 Retrospective

Posted on 04 September 2008 by jnu

steinski_4

I got this courtesy of The Smoking Section:

Steinski – What Does It All Mean? 1983-2006 Retrospective

The back story is great: Steve Stein, collegiate dope-dealer-turned-suit at the Doyle Dane Bernbach ad agency, enters a hip-hop-remix contest with a pal in 1983 and smokes the competition. His entry, The Payoff Mix, is a funky train wreck of uncleared samples — the Supremes, Little Richard, Culture Club, Humphrey Bogart — crosswiring Grandmaster Flash’s mixology with the pop tune punch lines of Dickie Goodman’s Seventies novelty collage singles. Payoff, included here with its offspring Lesson 2 (James Brown Mix) and Lesson 3 (History of Hip Hop), inspired crate-digging producers from Prince Paul to DJ Shadow to Girl Talk, and permanently raised the bar for rap track makers. Influence aside, what’s just as impressive about this handsome anthology of barely legal rarities is how well tracks work as songs. The early party joints build and ebb with intractable momentum, and later pieces tell unlikely stories. “The Motorcade Sped On” samples newscasts on the JFK assassination; the chilling “Number Three on Flight Eleven” documents a flight attendant’s 9/11 call for help. And the hilarious, hour-long “Nothing to Fear” megamix proves that this guy didn’t just pioneer the mash-up, he’s still the outlaw genre’s dean.

http://www.myspace.com/steinski

1-1 The Payoff Mix (5:23)
1-2 Lesson 2 (James Brown Mix) (4:23)
1-3 Lesson 3 (History Of Hip Hop) (5:03)
1-4 Jazz (5:04)
1-5 Voice Mail (Sugar Hill Suite) (5:35)
1-6 The Motorcade Sped On (4:00)
1-7 It’s Up To You (Television Mix) (5:05)
1-8 I’m Wild About That Thing (4:46)
1-9 The Big Man Laughs (4:19)
1-10 Vox Apostolica (4:38)
1-11 Is We Going Under? (6:38)
1-12 Ain’t No Thing (6:33)
1-13 Everything’s Disappeared (4:12)
1-14 Number Three On Flight Eleven (7:48)
NOTHING TO FEAR
2-1 Tonight From NY Intro (1:31)
2-2 Swingset (10 Beautiful Girls Mix) (3:21)
2-3 Opening Credits (1:16)
2-4 Greatest Man Alive (Man’s Game Mix) (2:31)
2-5 The ID (Small World Mix) (3:23)
2-6 Let’s Get It On (Big Daddy Mix) (1:25)
2-7 Hit The Disco (MC Enuff Mix) (3:48)
2-8 Lolita (Burning Mix) (1:36)
2-9 Hot Spot (Terrible Love Mix) (2:49)
2-10 It’s A Funky Thing Pt. 1 (Special Feature Mix) (5:18)
2-11 Bboy Breakdown (You Got The Job Mix) (2:29)
2-12 B-Beat Classic (Airwave Interlude Mix) (0:36)
2-13 Funk Construction (Prodigal Son Mix) (3:00)
2-14 Them That’s Not (Cash Mix) (2:10)
2-15 Swan Lake (Beat Poets Mix) (3:06)
2-16 Here We Come (Death Mix) (2:18)
2-17 Product Of The Environment (Redfern Gowanus Electro Mix) (1:41)
2-18 By Any Means Necessary (Malcolm & Bobby Mix) (2:07)
2-19 The Art Of Getting Jumped (1:08)
2-20 I Like IT LIke That (Scratch It One Time Mix) (1:02)
2-21 Solid Air (Junk Mood Mix) (3:23)
2-22 Country Grammar (Hydro Mix) (2:33)
2-23 Let’s Get It On (Reprise Mix) (0:46)
2-24 Muscles (Mistake Interlude Mix) (0:23)
2-25 Easin’ In (Pedro’s Letter Mix) (1:27)
2-26 It’s Time To Testify (MC5 Mix) (1:54)
2-27 The Acid Test (0:52)
2-28 Silent Partner (Peace Out) (0:53)

http://www.megaupload.com/?d=AOYARU25

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MLK

Posted on 15 January 2008 by jnu

We must learn to live together as brothers or perish together as fools.
–Martin Luther King, Jr.

Click to play the entire “I Have a Dream” speech recorded August 28, 1963

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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Niggy Tardust + Nine Inch Nails

Posted on 30 October 2007 by jnu

The Inevitable Rise and Liberation of NiggyTardust
A project by Saul Williams, produced by Trent Renzor of NIN.
Saul told my partner Tyren once that he wouldn’t need music to get heard.
I don’t know about that, but this definitely prove that he doesn’t need a record label.

Head over to www.niggytardust.com for all the details.

The long story short:
Users can download a 192kbps MP3 version of the entire album for free, or pay $5 to support the artist and be given the choice of downloading 192kps MP3 version, 320kbps MP3 version or lossless FLAC version.

This what Trent Renzor had to say:

There are obvious similarities in how Radiohead just released their new record and the way we’ve chosen to. After thinking about this way too much, I feel we’ve improved upon their idea in a few profound ways that benefit you, the consumer. You obviously will be the judge of this in the end. One thing that IS very different in our situation is that Saul’s not the household name (yet!) that Radiohead is, and that means we need your support on this more than ever. If you like what you hear, spread the word.

Saul Williams not a “household” name? In what households?
He was the star of the movie Slam, which won both the Sundance Festival Grand Jury Prize and the Cannes Camera D’Or, introducing Williams to international audience.
His album Amethyst Rock Star was produced by Rick Rubin.

This just proves my point that with traditional and non-traditional promotion, this will be THE way music will be released by both independent and major artist, and killing the preferred CD format at the same time.

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