So I just left the screening for Interrupted Motion
I design/host the site so call it a shameless plug.
Anywho, my dy started off with an email from no other than the RIAA.
Most of you who have been coming to the site will know occasionally I will post a download for the full alum of new releases.
So I had posted the John Legend which doesnt hit stores until 10.26.
Funny the day I uploaded it I got invited to see him perform the same night.
He was talking on his site about fans not downloading “bootleg” copies of the album.
Thing is I only promoted the availability of the download on this site which I have done with Jigg, Janet Jackson, Queen Latifah…you get the picture.
Besides MY site and the site I mentioned is a “niche” audience of industry “insiders” of which would be privy to NOT buy the retail copy of any album.
I havent bought a newly released CD in 5 years since working with labels various record labels.
ANY CD except the Iceberg Slim album which is a rare find at a old record store in the village ($7)
Getting a check from them wouldn’t mean I;d spend that money on their product.
Case in point I was working on a project at ARISTA a few weeks before the closed thier doors for good.
Usher album sells 1.2 million units in the FIRST week then they layoff most of the people working at the label. Makes sense right?
Thing is the music industry has evolved and they are trying to keep the status quo.
Even though a CD and packaging cost like $1.37 to manufacture.
The average consumer ill still go to the store and buy it for $18.
On top of that I got a few emails from people stating that they appreciated the download but will STILL go and buy it in order to support the artist.
The long and short of it I got this email:
Dear Sir or Madam:
I am contacting you on behalf of the Recording Industry Association of America, Inc. (RIAA) and its member record companies. The RIAA is a trade association whose member companies create, manufacture and distribute approximately ninety (90) percent of all legitimate sound recordings sold in the United States. Under penalty of perjury, we submit that the RIAA is authorized to act on behalf of its member companies in matters involving the infringement of their sound recordings, including enforcing their copyrights and common law rights on the Internet.
We believe your service is hosting the above-referenced file on its network. This file offers sound recordings for download by the artist known as John Legend, which has not been commercially released. We have a good faith belief that the above-described activity is not authorized by the copyright owner, its agent, or the law. We assert that the information in this notification is accurate, based upon the data available to us.
We are asking for your immediate assistance in stopping this unauthorized activity. Specifically, we request that you remove the infringing file from the system, or that you disable access to the infringing file, and that you inform the site operator of the illegality of his or her conduct.
You should understand that this letter constitutes notice to you that this site operator may be liable for the infringing activity occurring on your service. In addition, under the Digital Millennium Copyright Act, if you ignore this notice, you and/or your company may also be liable for any resulting infringement. This letter does not constitute a waiver of any right to recover damages incurred by virtue of any such unauthorized activities, and such rights as well as claims for other relief are expressly retained.
You may contact me at RIAA, 1330 Connecticut Avenue, N.W., Suite 300, Washington, D.C., 20036, Tel. (202) 775-0101, or e-mail antipiracy@riaa.com, to discuss this notice. We await your response. Kind regards.
Sincerely,
Traci Crippen
Online Copyright Protection
RIAA
Thing is Tracy may/may not know that I too am an artist with a release due this quarter.
I am have my writing and publishing with ASCAP.
I noticed when I looked over the contracts that ALREADY penciled in was to have the RIAA represent me with infringment of home recording use.
I was wondering why this was already CHECKED off in pencil, who are they trting to fool??
I just ran a big RED pen through it
:hehe:
I remember this heated up when someone posted the Black Album and was threatened to be sued from Universal. Same week I got an email from Chuck D to challenge the RIAA on the real.
Since I OWN my server and domain name there wasnt no sorry ass phonecall from some attorney talking about the will get me. So instead the got Tracy to try to punk me.
Am I shooting myself in the foot?
Thing is I have a distribution deal with the project I’m working on which lends me to get my music oout with MORE freedom.
Here is a break down of someone who sign a deal who single almost went GOLD:
Advance: $ 250,000
Manager’s cut: $ 37,500
Legal fees: $ 10,000
Recording Budget: $ 150,000
Producer’s advance: $ 50,000
Studio fee: $ 52,500
Drum Amp, Mic and Phase “Doctors”: $ 3,000
Recording tape: $ 8,000
Equipment rental: $ 5,000
Cartage and Transportation: $ 5,000
Lodgings while in studio: $ 10,000
Catering: $ 3,000
Mastering: $ 10,000
Tape copies, reference CDs, shipping tapes, misc. expenses: $ 2,000
Video budget: $ 30,000
Cameras: $ 8,000
Crew: $ 5,000
Processing and transfers: $ 3,000
Off-line: $ 2,000
On-line editing: $ 3,000
Catering: $ 1,000
Stage and construction: $ 3,000
Copies, couriers, transportation: $ 2,000
Director’s fee: $ 3,000
Album Artwork: $ 5,000
Promotional photo shoot and duplication: $ 2,000
Band fund: $ 15,000
New fancy professional drum kit: $ 5,000
New fancy professional guitars [2]: $ 3,000
New fancy professional guitar amp rigs [2]: $ 4,000
New fancy potato-shaped bass guitar: $ 1,000
New fancy rack of lights bass amp: $ 1,000
Rehearsal space rental: $ 500
Big blowout party for their friends: $ 500
Tour expense [5 weeks]: $ 50,875
Bus: $ 25,000
Crew [3]: $ 7,500
Food and per diems: $ 7,875
Fuel: $ 3,000
Consumable supplies: $ 3,500
Wardrobe: $ 1,000
Promotion: $ 3,000
Tour gross income: $ 50,000
Agent’s cut: $ 7,500
Manager’s cut: $ 7,500
Merchandising advance: $ 20,000
Manager’s cut: $ 3,000
Lawyer’s fee: $ 1,000
Publishing advance: $ 20,000
Manager’s cut: $ 3,000
Lawyer’s fee: $ 1,000
Record sales: 250,000 @ $12 =
$3,000,000
Gross retail revenue Royalty: [13% of 90% of retail]:
$ 351,000
Less advance: $ 250,000
Producer’s points: [3% less $50,000 advance]:
$ 40,000
Promotional budget: $ 25,000
Recoupable buyout from previous label: $ 50,000
Net royalty: $ -14,000
——————————————————————————–
Record company income:
Record wholesale price: $6.50 x 250,000 =
$1,625,000 gross income
Artist Royalties: $ 351,000
Deficit from royalties: $ 14,000
Manufacturing, packaging and distribution: @ $2.20 per record: $ 550,000
Gross profit: $ 7l0,000
——————————————————————————–
The Balance Sheet: This is how much each player got paid at the end of the game.
Record company: $ 710,000
Producer: $ 90,000
Manager: $ 51,000
Studio: $ 52,500
Previous label: $ 50,000
Agent: $ 7,500
Lawyer: $ 12,000
Band member net income each: $ 4,031.25
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